Please join us for an exhibit that bursts in color and joy from the palette of Margery Thomas Mueller.  Large and small blooms painted in watercolor on Yupo paper will adorn the gallery walls beginning Saturday, July 24th with a reception to meet the artist from 5 to 7. Patricia Ladd Carega Gallery is located at 69 Maple Street in Center Sandwich.  Visit our website for more gallery information.

Margery Thomas Mueller lives and works in Alton, NH.  Her large multi media paintings were first exhibited at Patricia Ladd Carega gallery in 2015 and at the Red Dot Gallery at Mueller’s studio.  Drawn in India ink and gesso on Yupo paper, an unforgiving industrial plastic, these paintings talked of troubled souls moving through the thickets of life. The travails of others dominated Mueller’s work at the time. As we continued to soldier through Covid, Mueller added decoupage birds to her branches, a symbol of freedom and flight.   

In her latest series of work on view at the gallery, India ink and gesso have given way to intense color.  Fascinated by the effects of watercolor on Yupo, this new series of work shimmers with the happiness of a garden in spring.   In Mueller’s words: “Liminal space…the world in between – between a world I live in and a world I listen to, that has always been what has driven my imagery.”  

Like all of Mueller’s work, the flower paintings are strong and energetic.  Though color impacts the first view, a second glance reveals how delicate this work is.  We welcome you to spend some time with Color Awakens.  Does it awaken a reaction in you?
 
Patricia Ladd Carega gallery is open from 10 to 5 Tuesday through Saturday and from 12 to 5 on Sunday.  We are closed on Monday but if the barn door is open, come on in.  603 284 7728.
 
Patricia Carega
Patricia Ladd Carega Gallery
www.patricialaddcaregagallery.com
603 284-7728 

What got you started in this profession? 
I have been immersed in artmaking since childhood and started teaching at the University level after graduate school at the University of Wisconsin-Madison. I have always been interested in teaching all levels of art. In graduate school I got my start teaching children’s art classes. Throughout my career as a professor I continued to produce my own sculpture works and eventually moved into painting. 

Tell us about your business. What do you make, do, or offer as a service? 
I started my business Field Fine Art in 2015. It is a professional teaching studio and practicing art space. The business functions on three levels. First, as a teaching studio. I want to provide a space for people to explore their creativity and learn new skills. Second, as a showroom/gallery space where I meet with clients to show them the range of my sculpture or painting works—models of completed commissions and works in process. 

And third, it is where I do my work. When not teaching or meeting with clients, I am a full-time practicing artist, painting and creating sculpture. My work is represented by Patricia Ladd Carega Gallery in Sandwich.

What is the most fun/satisfying aspect of your work? 
Teaching people and guiding them to see the possibility of integrating creativity with their lives is the most thrilling and satisfying aspect of the job. Having students return year after year and sharing in their enjoyment of working in the studio space and sharing ideas with others is most gratifying. Students range in age from 4 to 93 and every age brings a new and different perspective to the art process. 

Working on commissions is equally fulfilling. Commissions are a collaboration of minds. A client brings a vision or idea of what they want. Seeing the joy they get when I can visually bring life to their concepts, feelings and thoughts making a tangible piece of art for them to enjoy. I work on sculpture commissions for both private homes and public spaces. I have over a dozen public sculptures located in the Midwest and East Coast at universities, churches, public buildings, and parks. 

This loon sculpture was designed for a private client for their summer home on Lake Winnipesaukee. The client wanted a sculpture of a loon. We talked for several hours in my studio where I showed him other sculptures of birds that I had created, we discussed material options, scale and cost estimates. During the meeting I drew some ideas out and discussed the idea of using the wind to make the sculpture turn. The next step was to make a life size scale model of the loon. I took the model to the client's lakeside property and made a video with my phone which I sent to the client who lives in Washington state. 

The final drawings were done with paper and pencil, then photographed and worked on in Adobe illustrator, turning the drawings into a vector format which then go to the fabricator. Once the pieces are laser cut I work in the shop with the fabricator on shaping and bending the pieces until it is finished. This part of the process is also a collaboration of several people, that's what makes it so gratifying. 

My paintings, and small bronze and stainless sculptures, are in over a hundred private collections in the USA, Australia, and China. My most recent commission will be installed in Betsy’s Park in Holderness, NH. Another bonus of working on commissions is that I get to collaborate and work with my husband Leo Dwyer who is a trained architect and is an invaluable part of my creative process. 

The three paintings below were created for an exhibition titled Sandwiched in Seasons, exhibited last summer at Patricia Ladd Carega Gallery in Sandwich. The inspiration for each of these paintings were from daily walks I take in our town and an exploration of the seasons. I always have my camera on my walks and there is an endless source of imagery in our own backyards.The scale of my paintings range from small intimate landscapes to large 3ft. x 6ft.  canvases. 

I work in watercolors and primarily oils. I also paint with oils and gold leaf on my laser cut stainless steel works. I really enjoy combining materials and seeing how the different textures play off each other to evoke a unique surface. During the quiet of Covid I had time to experiment and began working on a series of large weathervanes combining landscapes and animal images. These new sculptural creations serve both form and function, a whole new twist for my business to explore.

What else can you tell us about yourself and your business/organization? 
I enjoy working with others to enrich our community especially in the area of the visual arts and education. I serve on the board of the Yeomans’ Fund for the Arts and The Sandwich Home Industries. Both organizations strive to bring creative educational opportunities to our community. I am a hiker, avid gardener, and enjoy being outdoors as much as possible. 

Visit my professional website at www.kathrynfield.com and my teaching website at www.fieldfineart.weebly.com.

Artist, Elizabeth Nelson, has often been inspired and guided by the ancient Chinese divination text, I Ching or Yi Jing, one of the oldest of the Chinese Classics. It is studied as a book of wisdom throughout the world and provides guidance to religion, literature, art, psychology, science, diplomacy and business.  I Ching uses hexagrams to reach solutions. Nelson has painted 64 Symbolic Landscapes representing the I Ching texts that make up each hexagram. Twenty-seven of these are on exhibit at Patricia Ladd Carega Gallery. 

Nelson will give a talk at the gallery on I Ching, the paintings and her book on June 12 at 4 p.m. A reception to meet Elizabeth Nelson will follow the talk.

I Ching is a big subject with a history of more than 3000 years of interpretation.  The texts and hexagrams have been used by many to find solutions to questions or problems. I Ching uses coins to determine these solutions.  A practitioner will toss three coins six times to create a new hexagram related to his or her question.  The response is determined by looking up the meanings of the hexagram in the I Ching text.  
 
Elizabeth Nelson has long been interested in Chinese painting. An early childhood memory reveals a fascination with scrolls her father brought back from Shanghai, India and Europe after his service in WWII.  Chinese and Asian art have remained a ‘foundation of her aesthetic.’
 
It was during a “fallow” period in her painting career that Nelson asked I Ching for “advice and inspiration.”  The answer was hexagram #2 Natural Response (K’un).  At first Nelson was puzzled by the response but the next morning as the moon was setting over her snow-filled pasture, the answer was clear.  She “would paint 64 hexagrams and choose the sequence at random by throwing the coins.” The entire symbolic landscape series took 6 years to complete. The oil paintings on cradled birch panels are 20 x 20 inches. 
 
I Ching is a fascinating subject especially for those interested in systems of divination and astrology.  There is much more to be studied and learned but for now join us for an enlightening talk.

Patricia Ladd Carega Gallery is located at 69 Maple Street in Center Sandwich.
The Gallery is open for the summer.  Gallery hours will be Tuesday – Saturday from 10 to 5.  Sunday 12 to 5 and Monday by appt.  www.patricialaddcaregagallery.com or 603 284 7728.